Prints

INQUIRE ABOUT AVAILABLE PRINTS:





Jonathan Novak Contemporary Art offers a wide range of Post-War and contemporary prints and multiples covering Abstract Expressionism, Pop, and Photorealism in a variety of mediums including: monotypes, engravings, lithographs, woodcuts, linocuts, and serigraphs.

ROBERT BECHTLE

ROBERT BECHTLE
Burbank Street, Alameda

1967
Hard ground etching
Sheet: 14-3/4″ x 13″ / 37.5 x 33 cm
Image: 8″ x 7″ / 20.3 x 17.8 cm
Edition of 25
© 2016, Robert Bechtle

 

 

 

JIM DINE

JIM DINE
Left-Handed Woodcut

2015
Woodcut and copperplate etching on Arches Cover White paper
37″ x 53″ / 94 x 134.6 cm
Edition of 11
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
The Grand Carpet

2008
Woodcut with copperplate, drypoint and monoprint on two sheets
Sheet: 51-13/16″ x 80-7/8″ / 131.6 x 205.4 cm
Image: 46-3/4″ x 76-3/4″ / 118.7 x 194.9 cm
Edition of 12 + 2 AP
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
Yesteryear

2015
Offset lithograph, soft ground etching, hand applied charcoal, and hand painted acrylic on two sheets of paper hinged together
Sheet: 28-1/4″ x 43″ / 71.8 x 109.2 cm
Image: 24″ x 39-1/2″ / 61 x 100.3 cm
Edition of 9
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 


JIM DINE
Pale Self

1995
Cardboard relief and cardboard intaglio on Arches Cover White; cut and deckle edges
Sheet: 57-5/8″ x 41-7/8″ / 146.4 x 106.4 cm
Image: 53-1/4″ x 39″ / 135.3 x 99.1 cm
Edition of 440 + 8AP
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
The Gravel Road

2015
Woodcut, collagraph, intaglio and copperplate etching
52-3/4″ x 37″ / 136.5 x 94 cm
Edition of 12 + 3AP
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
Ghost Robe

1992
Woodcut on Arches Cover White; cut edges
Sheet: 60-1/8″ x 41-3/4″ / 162.9 x 106 cm
Image: 60-3/4″ x 40-3/4″ / 154.3 x 103.5 cm
Edition of 12
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
Congo Boots

2016
Woodcut with hand coloring on Japan Daitoku paper
66-3/4″ x 49-3/4″ (169.2 x 126.2 cm)
Edition of 10
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
The Dear Ape

2015

Woodcut, power-tool abrasions and lacerations, with hand-painted acrylic and Glycero on Hahnemuhle 350 gm Off White paper
63″ x 49-1/4″ / 160 x 125.1 cm
Edition of 5
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
Long, Very Long in the Tooth

2015
Woodcut with collage and hand painting
67-1/8″ x 49-1/2″ (170.5 x 125.5 cm)
Edition of 10
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
The Packing of a Sea of Glass

2015
Woodcut, three hand-applied collaged elements, power-tool abrasions and lacerations, and hand-painted acrylic on Hahnemuhle 350gm Off White paper
63″ x 49″ / 160 x 124.5 cm
Edition of 6
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

JIM DINE
White Truck on Right-Airport, Far Left

2015
Woodcut and monotype, power-tool abrasions, with hand-applied charcoal and India Ink, and hand-painted acrylic on Hahnemuhle 350 gm Off White paper
63″ x 49-1/4″ / 160 x 125.1 cm
Edition of 6
© 2016, Jim Dine / Artist Rights Society (ARS), New York

 

 

SAM FRANCIS

SAM FRANCIS
First Stone

1960
Lithograph
25″ x 35-1/2″ / 63.5 x 88.9 cm
Edition of 65
© 2016, Sam Francis Foundation

 

 

SAM FRANCIS
An 8 Set – 4 (SF-68)

1964
Lithograph on paper
11″ x 15″ / 27.9 x 38.1 cm
Edition of 100
© 2016, Sam Francis Foundation

 

 

SAM FRANCIS
An 8 Set – 6 (SF-70)

1963
Lithograph on paper
19-3/8″ x 15″ / 49.2 x 38.1 cm
Edition of 100
© 2016, Sam Francis Foundation

 

 

SAM FRANCIS
An 8 Set – 7 (SF-71)

1963
Lithograph on paper
15-1/8″ x 22-1/4″ / 38.4 x 56.5 cm
Edition of 100
© 2016, Sam Francis Foundation

 

HOWARD HODGKIN

HOWARD HODGKIN
Ice Cream

2015-16
Hand-painted carborundum relief on Velin Cuve BFK Rives Tan 280gsm paper
30″ x 44-1/4″ / 76 x 112.5 cm
Edition of 30
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Springtime

2015-16
Hand-painted sugar-lift aquatint on Velin Cuve BFK Rives Tan 280gsm paper
14-1/4″ x 16-1/2″ / 36 x 42 cm
Edition of 30 + 15AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Coast

2015-16
Hand-painted sugar-lift aquatint with carborundum relief from 3 plates. Sugar-lift printed in Burnt Sienna and then in Orient Blue/Zinc White mix, then hand-painted in Naphthol Red and Phthalo Blue. Overprinted with a carborundum relief in Ultramarine/Prussian mix and hand-painted in Ultramarine Blue, on Velin Cuve BFK Rives Grey 280 gsm paper
14-1/4″ x 16-1/2″ / 36 x 42 cm
Edition of 30 + 15AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Dark Rainbow

2015-16
Hand-painted sugar-lift aquatint from 1 plate. Printed in Indian Yellow/Yellow Ochre/Zinc White mix, then hand-painted in Pyrrole Red Dark/Cadmium Orange mix and Anthraquinone Blue, on Velin Cuve BFK Rives Tan 280 gsm paper
13-1/4″ x 17-1/4″ / 33.5 x 44 cm
Edition of 30 + 15AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Surprise Surprise

2015-16
Hand-painted sugar-lift aquatint on Velin Cuve BFK Rives Tan 280gsm paper
14-1/4″ x 16-1/2″ / 36 x 42 cm
Edition of 30 + 15 AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Raspberry Crumble

2015-16
Hand-painted sugar-lift aquatint from 1 plate. Printed in Violet Solferino/Burnt Sienna/Zinc White mix, then hand-painted in Titanium White/Pyrrole Red mix and Diarylide Yellow/Vat Orange mix, on Velin Cuve BFK Rives Tan 280 gsm paper
14-1/4″ x 16-1/2″ / 36 x 42 cm
Edition of 30 + 15 AP
© 2016, Howard Hodgkin

 

HOWARD HODGKIN
Absolutely

2015-16
Hand-painted sugar-lift aquatint with carborundum relief from 2 plates. Sugar-lift printed in Primrose Yellow/Zinc White mix with a touch of Viridian, then hand-painted in Ultramarine Blue and Spring Green. Overprinted with carborundum relief in Turquoise/Prussian Blue mix, on Velin Cuve BFK Rives Grey 280 gsm paper
13-1/4″ x 17-1/4″ / 33.5 x 44 cm
Edition of 30 + 15AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Storm Cloud

2014
Hand-painted carborundum relief from 1 plate printed with Warm Sepia, Sanguine, Red Umber, Naples/Sienna mix, and Burnt Sienna, with hand-painting in Payne’s Grey/Prussian Blue mix on Moulin Du Gue 350 gsm paper
33-7/8″ x 40-5/8″ / 86 x 103.2 cm
Edition of 18 + 6 AP
© 2016, Howard Hodgkin

 

 

HOWARD HODGKIN
Vegetable

2014
Hand-painted carborundum relief from 2 plates printed sequentially with Titanium White, Spring Green/Emerald-Turquoise mix/Dark Sepia/Indian Yellow/Deep Yellow mix, with hand-painting in Burnt Sienna/Permanent Maroon/Violet Oxide on Moulin Du Gue 350 gsm paper
34-5/8″ x 49-1/4″ / 88 x 125 cm
Edition of 8 + 4 AP
© 2016, Howard Hodgkin

 

 

ALEX KATZ

ALEX KATZ
White Impatiens

2016
26-color silkscreen on 425 gsm paper
70″ x 56″ / 177.8 x 152.4 cm
Edition of 70 + 15 AP
© 2016, Alex Katz / VAGA Rights, New York

 

 

ELLSWORTH KELLY

ELLSWORTH KELLY
Black Curve

2000
Lithograph
30″ x 22-7/8″ / 76.2 x 58.1 cm
Edition of 35

 

 

ELLSWORTH KELLY
Red Curve

2000
Lithograph
30″ x 22-7/8″ / 76.2 x 58.1 cm
Edition of 35

 

 

RICHARD LONG

RICHARD LONG
Mississippi River Blues

2014
A four panel carborundum relief printed in Titanium White ink on Hahnemuhle Etching White 350 gsm paper painted with a Mars Black acrylic wash
Each panel: 76-3/8″ x 47-3/4″ / 194 x 121.5 cm
Overall:  76-3/8″ x 191-1/4″ / 194 x 486 cm
Edition of 2
© 2016, Richard Long

 

 

RICHARD LONG
Speed of the Sound of Loneliness

2014
A two panel carborundum relief, both panels printed in Black/Ultramarine Blue ink mix on Hahnemuhle Etching white 350 gsm paper
Each panel: 47-3/4″ x 76-1/4″ / 121.5 x 194.0 cm
Overall: 47-3/4″ X 152-3/4″ / 121.5 x 388 cm
Edition of 3
© 2016, Richard Long

 

 

RICHARD LONG
Sweet Old World

2014
A single panel carborundum relief printed in Vermilion/Ruby Madder/Primrose ink mix ink on Hahnemuhle Etching White 350 gsm paper
Overall:  76-3/8″ x 47-3/4″ / 194 x 121.5 cm
Edition of 3
© 2016, Richard Long

 

 

RICHARD LONG
Hickory Wind

2014
A single panel carborundum relief printed in Black/Ultramarine Blue ink mix on Hahnemuhle Etching White 350 gsm paper
Overall:  76-3/8″ x 47-3/4″ / 194 x 121.5 cm
Edition of 3
© 2016, Richard Long

 

 

RICHARD LONG
The Lark in Clear Air

2014
A single panel carborundum relief printed in Vermilion/Ruby Madder/Primrose ink mix ink on Hahnemuhle Etching White 350 gsm paper
Overall:  76-3/8″ x 47-3/4″ / 194 x 121.5 cm
Edition of 3
© 2016, Richard Long

 

 

RICHARD LONG
The Shaskeen Reel

2014
A single panel carborundum relief printed in Black/Ultramarine Blue ink mix ink on Hahnemuhle Etching White 350 gsm paper
Overall:  76-3/8″ x 47-3/4″ / 194 x 121.5 cm
Edition of 3
© 2016, Richard Long

 

JOAN MITCHELL

JOAN MITCHELL
Little Weeds I (Yellow)

1992
Aquatint etching
9-1/4″ x 21″ / 23.5 x 53.3 cm
Edition of 30
© 2017, Joan Mitchell Foundation

 

DAIDO MORIYAMA

DAIDO MORIYAMA
L.A. Noir

2014
Handmade portfolio of 8 pigmented ink prints Epson UltraChrome K3 on Museum Max 365 gsm paper
Each print: 18-1/2″ x 14″ / 47 x 35.5 cm
Edition of 10
© 2016, Alex Katz / VAGA Rights, New York

 

 

ROBERT MOTHERWELL

ROBERT MOTHERWELL

Untitled (Phoenician Red)

1976
Monotype
Sheet: 22-1/2″ x 20-1/8″ / 57.2 x 51.1 cm
Image: 9-3/4″ x 11-13/16″ / 24.8 x 30 cm cm
© 2016, Robert Motherwell / VAGA Rights, New York

 

 

JULIAN OPIE

JULIAN OPIE

Boat 3 / Boat 2 / Boat 4 / Boat 1

Powder coated aluminum wall reliefs in satin black
Boat 3: 12-1/4″ x 43-1/4″ x 1/8″ (31 x 110 x 0.4 cm)
Boat 2: 11″ x 31-1/8″ x 1/8″ (28 x 79 x 0.4 cm)
Boat 4: 16-1/2″ x 31-1/8″ x 1/8″ (42 x 79 x 0.4 cm)
Boat 1: 18-1/4″ x 39-5/8″ x 1/8″ (46.2 x 100.6 x 0.4 cm)
Edition of 25
© 2016, Julian Opie

 

 

JULIAN OPIE

Carp 2 / Carp 1 / Carp 3

Powder coated aluminum wall reliefs in satin black
Carp 2: 25-1/2″ x 40-1/2″ x 1/8″ (64.7 x 103 x 0.4 cm)
Carp 1: 34-1/2″ x 34-5/8″ x 1/8″ (87.5 x 88 x 0.4 cm)
Carp 3: 22-3/8″ x 38-3/8″ x 1/8″ (56.8 x 97.6 x 0.4 cm)
Edition of 25
© 2016, Julian Opie

 

 

JULIAN OPIE

Sheep 1 / Sheep 3 / Sheep 2

Powder coated aluminum wall reliefs in satin black
Sheep 1: 17-5/8″ x 34-1/8″ x 1/8″ (44.9 x 86.8 x 0.4 cm)
Sheep 3: 18-1/8″ x 34-1/8″ x 1/8″ (45.9 x 86.8 x 0.4 cm)
Sheep 2: 21″ x 32-7/8″ x 1/8″ (53.2 x 83.6 x 0.4 cm)
Edition of 25
© 2016, Julian Opie

 

 

JULIAN OPIE

Pebbles 3 / Pebbles 4 / Pebbles 2 / Pebbles 1

Powder coated aluminum wall reliefs in satin black
Pebbles 3: 15-3/4″ x 39-3/4″ x 1/8″ (40 x 101 x 0.4 cm)
Pebbles 4: 15″ x 40-3/8″ x 1/8″ (38.2 x 102.7 x 0.4 cm)
Pebbles 2: 16-3/4″ x 39″ x 1/8″ (42.4 x 99 x 0.4 cm)
Pebbles 1: 20-1/2″ x 33-3/8″ x 1/8″ (52.2 x 84.7 x 0.4 cm)
Edition of 25
© 2016, Julian Opie

 

 

JULIAN OPIE
Julian

2013
Archival inkjet laminated to glass and backed with dibond presented in a powder coated aluminum frame designed by the artist
39-7/8″ x 29-5/8″  (101.1 x 75.3 cm)
Edition of 35
© 2016, Julian Opie

 

 

JAMES ROSENQUIST

JAMES ROSENQUIST
Woman in the Sun

1991
Lithograph
33″ x 42-1/2″ / 83.8 x 108 cm
© 2016, James Rosenquist

 

 

ED RUSCHA

ED RUSCHA
Rusty Signs – Cash for Tools 2

2014
Mixografia print on handmade paper
24″ x 24″ / 61 x 62 cm
Edition of 50 + 10 AP
© 2016, Ed Ruscha

 

 

SUSAN ROTHENBERG

SUSAN ROTHENBERG
Breath-Man

1986
4-color drypoint, woodcut, engraving
20-3/4″ x 20-1/4″ / 52.7 x 51.4 cm
Edition of 37
© 2016, Susan Rothenberg

 

 

WAYNE THIEBAUD

WAYNE THIEBAUD
Delicatessen Trays

1965
Sugarlift aquatint
Sheet: 10″ x 9-5/16″ / 25.4 x 23.7 cm
Image: 3-15/16″ x 3-15/16″ / 10 x 10 cm
Edition of 10
© 2016, Wayne Thiebaud / VAGA Rights, New York

 

 

WAYNE THIEBAUD
Little Red Suckers

1971/2014
Aquatint etching printed in red
Sheet: 10-13/16″ x 10-1/2″ / 25.9 x 26.7 cm
Image: 5″ x 6″ / 12.7 x 15.2 cm
Edition of 35 + 10 AP
© 2016, Wayne Thiebaud / VAGA Rights, New York

 

 

WAYNE THIEBAUD
Dark Reservoir

2014
Direct gravure with aquatint etching and drypoint on gampi paper chine collé
Sheet: 28″ x 32″ / 71.1 x 81.3 cm
Image: 20″ x 25″ / 50.8 x 63.5 cm
Edition of 20
© 2016, Wayne Thiebaud / VAGA Rights, New York

 

 

WAYNE THIEBAUD
Canyon Bluffs

2014
Color spit bite aquatint with direct gravure and drypoint on gampi paper chine collé
Sheet: 33″ x 27″ / 83.8 x 68.6 cm
Image: 25″ x 20″ / 63.5 x 50.8 cm
Edition of 25
© 2016, Wayne Thiebaud / VAGA Rights, New York